- Logic pro x tutorial beginner free
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Logic pro x tutorial beginner free.Logic Pro X: The Beginner’s Guide |
- Logic pro x tutorial beginner free
- Logic pro x tutorial beginner free
Logic pro x tutorial beginner free
Logic Pro Effects User Guide. Logic Pro release notes. Logic Remote release notes. MainStage release notes. As the world of Logic Pro professionals continues to expand, the body of collective knowledge grows with it. Tap into a rich source of information and collegial support by joining a user group, participating in a web forum, or browsing a Logic Pro blog.
Logic User Group. Apple Support Community. Logic Pro Help. Join a Logic Pro user group for hands-on training and knowledge sharing. Apple Logic Pro Users Group. The most popular subs for Reddit users who want to learn more about Logic Pro. Learn how to morph between and combine elements of different sounds in exciting ways.
Examples demonstrate the behavior and effect of each Morph Element control to illustrate some of the creative potential of the morphing and resynthesis tools in Alchemy. Read a workflow-driven examination of tools and techniques in Alchemy you can use to creatively alter loop playback. Explore examples demonstrating how to make loops play at project tempo and transpose in real time. Additional demos take it a step further, showing how to transform loops with modulation and other effects.
AIR Music Technology. Apogee Digital. Audio Damage. Audio Ease. Baby Audio. Blue Cat Audio. Dada Life. DMG Audio. D16 Group. Fielding DSP. Future Audio Workshop. GForce Software. IK Multimedia. Kush Audio. KV Audio. KVR Audio. Lennar Digital. Line 6.
Madrona Labs. Melda Productions. Metric Halo. Native Instruments. Ohm Force. Plugin Alliance. Plug-in Boutique. Pure Magnetik. The plugin allows you to use different settings of compression for different frequencies. The plugin is very simple to use. It is divided into four sections and you can tune the frequency using the main upper panel. Below that, you will see the same controls that you would find in a standard compressor.
Just as with the compressor, you should use the equalizer very subtly when mastering. The Channel EQ is parametric and more surgical. It will give you more control over your frequencies. However, the added functionalities make overdoing it much easier so be careful. The Vintage EQ Collection semi-parametric plugins are modeled after famous real units.
The benefit of using them is that they add a little bit of analog color to your sound and the stripped-down style makes them less prone to exaggeration — perfect for mastering. Also, make the Q range as broad as possible so the result is smoother and more consistent.
Compare your song to your reference and check for any frequencies that would benefit from an extra boost. A slight boost at around 8kHz using a high-shelf setting should add a little bit of brightness to your master; As well as one using a low-shelf at kHz for bringing attention to your bass sound. Saturation is an optional step that can give your sound extra perceived loudness and analog mojo by distorting the sound very subtly. There are a few ways you can do this inside Logic.
These are modeled after real analog units. There is also a feature in the Tape Delay plugin that will work. Under the Character section, note the Clip Threshold knob. Dial it back very carefully to add some tape saturation to your sound, but keep it to a minimum.
You may also download the free Saturation Knob plugin by Softube. This type of plugin can be used to enhance the overall stereo image of your audio. You should go about stereo-widening very carefully as, if used incorrectly, it could throw your mix all over the place and make your bass sound weak , as well as cause phase issues. If you still decide to use it, just as with most things in mastering, keep it to a minimum. Load the Stereo Spread plugin and set your Lower Freq.
Keep the Lower Int. Set the stage to 4 or 5. Finally, a limiter will catch the loudest transients in your song while increasing its loudness to standard levels. Limiting is somewhat similar to compressing, but in a much more aggressive way: these plugins will squash any sound that exceeds the threshold , enabling you to have more perceived loudness without clipping.
There are two plugins for this job inside Logic: the Limiter and the Adaptive. With the first one, you will have to dial the release by yourself, as opposed to with the latter, which will automatically adapt the value based on your audio signal. Both can do a pretty good job but the Adaptive one will sound more natural on most applications so we recommend going with it. After you load the Limiter plugin into your project, insert the Loudness Meter afterward so you can see your audio volume in Lufs.
Follow along in this video as I take a short vocal phrase, convert it to a quick sample instrument, create some vocal chop phrases, and add processing. Logic has hundreds, if not thousands, of key commands designed to make using Logic easier and more efficient. Here, I'd like to share five originally unassigned key commands that I have assigned, improving my workflow immensely.
Follow along in this video to see how Eli Krantzberg sets up a guitar solo with a unique set of rolling repeats that swells and ebbs with the rhythm of the song.
See how to use parallel processing that includes side chain compression, EQ, chorus, direction mixer, and tremolo, to create interesting movement and width to a stacked keyboard part. Steve DeMott recently did an article on 2-Buss compression recently. In this video Eli takes some of his ideas and develop them using Logic's powerful and flexible built-in compressor plug-in. There is a lot more to this plug-in than initially meets the eye, especially when it comes to "glue" style bus processing.
Apple has us covered in those moments when inspiration hits. Capturing audio on the fly is a snap with Voice memos, as is bringing it into Logic using either AirDrop or iCloud. Then, the sky's the limit! Sometimes it's the simple things that make all the difference. There is a somewhat hidden feature in Logic that has been around since the beginning, in the early nineties. Many users don't know or care about it. Many others, blissfully unaware of its presence, clamour for it.
I am talking about MIDI chase.
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